3D printing helps jewelry design and production is excellent and unparalleled

Sarah Graham, a jewellery designer from San Francisco, has been working on original and handmade jewelry designs for more than two decades. Over the years, every piece of jewellery has been designed and meticulously crafted by her. Her style is exquisite and exquisite. The design is often inspired by nature and has always attracted many jewellery buyers and enthusiasts. However, Graham's work style has changed in recent years due to the gradual introduction of 3D printing to her jewelry.

The introduction of 3D printing technology accelerated the process of Graham testing and casting her work, shortening the entire jewelry manufacturing cycle. Not only that, but because of the use of 3D printers , her design details have also been improved. As she explained, “The most important thing about jewelry making and craftsmanship is that it must be beautiful and well-made. Using CAD and 3D printers can help me reach a technical level that I can't reach at all.”

Today, Sarah Graham's jewelry production studio is equipped with Formlab's Form 1+ 3D printer, a high-resolution desktop 3D printer with a good reputation. In fact, before November 2014, she mainly used external professional 3D printing services, but found that the cycle is very long and expensive. So I bought the Form1+ 3D printer myself, and now I can easily print the design prototype and mold in just a few hours.

Graham's latest jewellery line, "Fingerprint," uses the concept of 3D printing customization. This collection includes rings and necklaces. The main feature is that the texture above is actually the customer's fingerprint, so each piece is unique. This requires her to first obtain the customer's fingerprint information through 3D scanning and then use it for design. When she first tried to do this with a 3D printer, she was shocked by the detailed and high-quality results she achieved, which was comparable in quality to the expensive industrial-grade 3D printers she had previously used.

Graham's latest work, the Oak (Oak) series, debuted in May this year, which continues her interest in organic and natural styling, inspired by her memories of her childhood oak tree and making the most of it. The precision provided by the Form 1+ 3D printer. For this series, Graham is most concerned with the texture of the oak leaves. The 3D printer allows her to print out some test models and quickly modify the iterations until she is satisfied with her appearance.

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