Fangyuan Huitu ancient books and magazines let the ancient books "live"
With the popularization of the documentary and film "I am in the Forbidden City", "I am in the country to repair ancient books" has become a topic of concern, and the restoration of ancient books has become popular from the unpopular. Under the leadership of Du Weisheng, a research librarian of the National Library of the National Library and a national heritage restoration expert, we went into the National Classics Museum, stopped at the depths of the corridor, and opened an inconspicuous small door, accompanied by a kind Suddenly and cheerful, I came to the quiet and busy ancient book repair room. The indoor equipment is simple, several machines, several bookcases, several large tables, each table is placed with a pair of scissors, a pair of tweezers, a brush, a bowl of paste, a table lamp... nothing more. Young restorers are doing their work in an orderly manner.
Chen Hongyan, director of the Office of Ancient Books Protection Center of the National Library, who came together, said that the restoration of ancient books was not noticed for quite some time. It was only after the launch of the “Chinese Ancient Books Protection Plan†in 2007 that it began to change. After 10 years of Development, the national ancient books repair talent team has been increased from less than 100 people at the time of the launch to more than a thousand people today, the National Library's ancient books repair talent team has reached the highest number in history - 19. Du Weisheng said that he has an ancient book to repair the WeChat group. There are more than 300 restoration teachers from all over the country. They often discuss and discuss the related technologies and concepts of ancient books restoration in the group. According to Wang Yanxing, deputy director of the Office of Ancient Books Protection Center of the National Library, up to now, there have been 12 national-level ancient nationality repair talent training bases, and more than 8,500 people have participated in short-term ancient restoration technology training. Although there are still difficulties in carrying out practical work after short-term training, in Chen Hongyan's view, at least these students will have a basic understanding of the restoration of ancient books, especially knowing that ancient books cannot be easily repaired.
In addition, the National Library has successively signed cooperation agreements with universities such as Sun Yat-Sen University, Fudan University, Chinese Academy of Social Sciences, and Tianjin Normal University to cultivate a master's degree education agreement for ancient books protection. In the university, the first generation of ancient books protection professional discipline system, more and more highly educated talents. Into this industry. As far as the National Library's Ancient Books Protection Center is concerned, most of the young restorers have master's degrees in art history, history, art, chemistry, etc. Their participation will undoubtedly bring a legacy to the ancient ancient book restoration industry. Fresh vitality. In spite of this, if you want to really go to work, you need a traditional teacher to bring people and bring new talent training models. Du Weisheng has worked in the National Library for the restoration of ancient books for 43 years. After retiring a few years ago, he was rehired to bring new people. He is currently with eight apprentices. He is more willing to be called a teacher than a master. According to his Understand that the teacher is the most hoped that the student will surpass himself.
For the restoration of ancient books, Du Weisheng was very pleased and gave young restorers a high hope and even a preference. He said that although young people are not experienced enough, they have advantages in the use of high-tech technology that masters do not have. For example, although the masters can use their years of work experience, they can distinguish the age, category and age of ancient paper. Characteristics, but young restorers are better at using modern technology equipment to identify paper fibers, using chemical reagents to test pigment components, and scientific data to accurately analyze ancient papers, which undoubtedly further improves the accuracy and fit of ancient books. However, as a manual craft, ancient books will never be completely replaced by technology. Du Weisheng said that it takes at least 10 years of practical experience to truly restore ancient books with high quality. For example, the strength of paper in different eras is Different, what kind of ancient books need what kind of paper, how much hand strength to use, this ancient book repair experience can only slowly accumulate in the work practice, which requires the prudence and patience of sitting on the cold bench.
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